Green Art, Sustainability and the Quagmire of Words
This past weekend I spent a couple of days in Ithaca, New York at the invitation of someone who runs something called ‘The Level Green Institute’ – which appears to have several offshoots, among them something called “Arts at the Heart of a Sustainable World.” Anyway, the symposium, titled “Greening the Arts” was, though poorly attended, was able to pull in a really interesting group of panelists.
Though I am pretty open to working with just about anyone when it comes to the arts, I am particularly eager to meet artists and critics whose work intersects with development in some way. Which is what drew me to the gathering: while I am not, and do not really consider myself a “green artist” (even the “artist” label is questionable, since I rarely show my own work) I was interested to learn how my work as an educator overlaps with artists whose work takes some kind of stand with regard to human impact in the natural world. And there were some great folks there:
Steven Siegel is a New York artist working and living in the lower Hudson Valley whose work incorporates detritus of the material world. The forum made little room for us to get to know each others’ work, but I found out more at http://www.stevensiegel.net and was both struck by the range of media and its familiarity via my own friendships with artists like Jeff Spaulding and Greg Hannan.- Victoria Romanoff is a preservationist and mixedmedia artist whose work has had a greater impact in her home town than any other artist I know. She restored her first 19th century barn in the 1970s and has since then become an advocate for local preservation. She shared with me a wonderful manifesto-like publication she co-authored on New York’s business façades as we toured her studio-office-home in a former fire station she and her partner restored. Her vigor reminds me of the work of the Canadian duo, Martha Fleming and Lyne Lapointe.
- Sam Bower runs something called the greenmuseum.org. Himself an artist, Sam is leading an effort to promote works that raise awareness about the environment through the creation of an online museum. I can’t speak to that too much – yet, as its all new to me… but hopefully more to come.
Today marks the final day of my work with Twinfield students. All in all it was a lovely experience. The students were so welcoming, and most eager to experiment and “play,” which is a big part of what its all about. I think its fair to say that they are really excited to see what in the world will be done with all of the images. So am I
Something else I have thought of along the way – which hasn’t been approved yet – is to “float” some really elegant quotations about place just off the surface of the mosaic. I am thinking they could be etched (sandblasted) or screened onto the narrow (8″ x 72″ say) plexiglass strips and fastened 3-4″ off of the surface using narrow metal risers – like bolts without the threads. We’ll see how far that goes.
Poster I whipped out (I love Pages) for an upcoming mural project – February 11-13 – the largest one yet that I’ve been a part of – that will engage all students and staff in an exploration of the question, “What is my place?”


