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Art, technology, and participation in development. Tracking collage, assemblage, construction... arts education, crafting and other ways to use the arts in service of human development - around the world. From Rauschenberg to Banski; the Dadaists to... what ever is out there today.

And Peace Tiles...

An international network of artists and arts educators using mixed media as a way to engage young people around the world in a creative process that cultivates their individual voice on contemporary issues...

Archive: France

Be “Green:” Drink Absinthe!

Vaguely interesting article on Yahoo!News today about “scientific research” (that gets me every time) into the effects of absinthe, that drink I was turned on to by late 19th century French writers like Paul Verlaine and Charles Baudelaire. In addition to its intoxicating effects of near-mythological proportions, absinthe cast enough artists into abject poverty that the drink was eventually banned. And voila: today it is the stuff of science. Here’s an excerpt from the article:

In recent years, the psychedelic nature of absinthe has been hotly debated. Absinthe was notorious among 19th-century and early 20th-century bohemian artists as “the Green Fairy” that expanded the mind. After it became infamous for madness and toxic side effects among drinkers, it was widely banned.

The modern scientific consensus is that absinthe’s reputation could simply be traced back to alcoholism, or perhaps toxic compounds that leaked in during faulty distillation. Still, others have pointed at a chemical named thujone in wormwood, one of the herbs used to prepare absinthe and the one that gives the drink its green color. Thujone was blamed for “absinthe madness” and “absinthism,” a collection of symptoms including hallucinations, facial tics, numbness and dementia.

Prior studies suggested that absinthe had only trace levels of thujone. But critics claimed that absinthe made before it got banned in France in 1915 had much higher levels of thujone than modern absinthe produced since 1988, when the European Union lifted the ban on making absinthe.

“Today it seems a substantial minority of consumers want these myths to be true, even if there is no empirical evidence that they are,” said researcher Dirk Lachenmeier, a chemist with the Chemical and Veterinary Investigation Laboratory of Karlsruhe in Germany.

Lachenmeier and his colleagues analyzed 13 samples of absinthe from old, sealed bottles in France, Switzerland, Italy, Spain, the Netherlands and the United States dated back to the early 1900s before the ban. After uncorking the bottles, they found relatively small concentrations of thujone in that absinthe, about the same as those in modern varieties.

Laboratory tests found no other compound that could explain absinthe’s effects. “All things considered, nothing besides ethanol was found in the absinthes that was able to explain the syndrome of absinthism,” Lachenmeier said. (Ethanol is a word for common drinking alcohol.)

The scientists are set to detail their findings in the May 14 issue of the Journal of Agricultural and Food Chemistry.

Access the full story online… 

Art, Being and Becoming

My dear friend-colleague-artist co-conspirator Darlene Charneco was telling me about some opportunities for collaboration that are opening up this summer, and pointed me to the website of the Moroccan artist Salima Raoui. In the “Paintings” section of her website Salima has the following quote from the surrealist poet Paul Eluard (French):

It is the warm law of men
to change water into light
dreams into reality
and enemies into brothers.

An old and a new law
That continues to perfect itself
from the bottom of a child’s heart
until the supreme reason.

That really struck and resonated within me. Very compactly summarizes what I am pursuing at an intuitive level through the joint efforts of my own artwork and the Peace Tiles project. Anyone who channels the surrealists is cut from the same cloth anyway!

Well, there isn’t alot of Selima’s work on her website to discuss just yet – in addition to the lovely collage pictured above I found some tapestry-like paintings that, when shown as a series project a lively, calming patchwork effect – I just want to roll up in those colors and textures with a good collection of Apollinaire. Along with her paintings, writings, and information about her workshops and art journeys are these lovely snippets from her journal: intimate, fanciful, sometimes whimsical reflections on an artists life. The combination of wheat and lace in the image to the right, combined with a ribbon and what looks like a dainty pink feather triggered my vernal muse.

Anyway, its a lovely site – have a look!

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